Black Sabbath Vol 4

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Thank the heavens (or other directions of inspiration) that the songs are strong enough to survive such mistreatment. St. Vitus Dance" on sisältää folk-vaikutteisen pääriffin, mutta säkeistöissä riffi on raskaampi. Nimi viitannee kristinuskon pyhimykseen Pyhä Vitus, joka paransi " tanssitautisia" ihmisiä. A From the opening notes of Wheels Of Confusion that begin the album with the most deeply mind-rotting, drugged-out and nowhere riff ever, total mental oblivion is guaranteed. The gears and cogs of Sabbath churn ever slower and slower on this ear-splitting grind-out as Ozzy is singing lyrics liberated from reason, proclaiming innocence as illusion as the circular trudge does nothing but continue. Will it ever end?" ( Head Heritage)

Black Sabbath – Black Sabbath Vol. 4 (1972, Gatefold, Vinyl Black Sabbath – Black Sabbath Vol. 4 (1972, Gatefold, Vinyl

Philip Qvist: I borrowed this album from a schoolmate in the 1981 - and on first hearing I remember how heavy that album was. Wade Babineau: Great album. Tomorrow’s Dream and Supernaut have to be some of Iommi’s greasiest riffs. Who doesn't love Supernaut and Snowblind as a huge one-two punch right in the middle? FX is clearly filler, but no real complaints with this one. The rot from the coke abuse clearly not set in yet. The 100 Greatest Metal Albums of All time". Rolling Stone. Penske Media Corporation. 21 June 2017. Archived from the original on 12 February 2021 . Retrieved 2 October 2021. Bill Griffin: An excellent album, the product of a more mature Sabbath and even getting a little proggy (a direction that would be further explored and developed on the next two albums) but the guitar is too low in the mix, making it sound bass-heavy.A solid 8/10 (I'll reserve my 10 for Sabbath Bloody Sabbath if it ever comes around and a couple of 9s for MOR and Sabotage). Oricon Album Chart Book: Complete Edition 1970–2005 (in Japanese). Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9.

Black Sabbath – Black Sabbath Vol 4 (1972, Gatefold, Vinyl Black Sabbath – Black Sabbath Vol 4 (1972, Gatefold, Vinyl

Vol. 4 menestyi jälleen hyvin Britanniassa ja Yhdysvalloissa. Britanniassa sijoitus oli 8. ja Yhdysvalloissa se nousi sijalle 13 myyden kultaa jo kuukaudessa. Ennen pitkää albumi myi siellä platinaa, jolloin siitä tuli jälleen yksi miljoonan myynyt Sabbath-albumi. Suomessa, Australiassa ja Kanadassa albumi nousi top-3:een. Kappale "Tomorrow's Dream" julkaistiin singlenä, mutta se ei saanut listasijoituksia osakseen. Sabbath tunnettiin enemmän albumi-painotteisena yhtyeenä, joten singlen menestyksettömyys ei tullut yllätyksenä. The album's original cover art has proved iconic, and has been imitated and parodied on numerous occasions, such as on the 1992 Peaceville Volume 4 compilation album, the 1992 Volume Two EP by the band Sleep, Longmont Potion Castle Vol. 4 by the prank caller Longmont Potion Castle, and the 1994 Planet Caravan EP by Pantera. Arthur Comix: 10/10. First Sabbath LP I bought. The riffs are super-heavy, the other stuff adds texture - makes the heavy even heavier. First and last on each side are as good as it gets. (My old band used to play Under The Sun. Very very badly) Fred Varcoe: I love Sabbath but always viewed this as one of their weaker efforts. Iommi changed his guitar sound, the production was trying to be too clever and it didn't have that hit-you-in-the-gut feeling of the previous albums. It's a 7 for me. The rest of the album has grown on me over the past few years. Iommi's guitar tone here could curdle milk, but I've started to see that as a plus because it adds to the general heaviness and dark vibe of the album, dark by even Sabbath standards. I certainly get how influential Vol. 4 is. I can hear strains of doom ( Cornucopia, Under the Sun/Everyday Comes and Goes), stoner metal ( St. Vitus Dance, Wheel of Confusion), even industrial ( Supernaut). And, for better or worse, Changes might be the first power ballad.Rumpali Bill Wardilla oli ristiriitaiset tunteet albumista vuonna 2001: "Kyllä, Vol. 4 on hieno albumi, mutta minulle henkilökohtaisesti se oli käännekohta, jolloin huumeista ja alkoholista tuli hauskuuden sijaan ongelma". [12] CD-julkaisut [ muokkaa | muokkaa wikitekstiä ] Tähdellä merkityt ennenjulkaisemattomia. Live-kappaleista osa on julkaistu erilaisella miksauksella epävirallisella vuoden 1980 Live at Last-albumilla. [24] Adam Ranger: A good album, but not a great album. but does have some filler and feels a little disjointed in places, however it was a joy to listen to this again. It was the album they recorded before my all time favourite the following year Sabbath Bloody Sabbath so a precursor to that it deserves praise. The feeling that chaos was about to erupt was palpable": Thurston Moore's memoir Sonic Life is a fascinating insider account of life-changing outsider art, and one music geek's insatiable lust for the loud