The Witch and the Tsar

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The Witch and the Tsar by Olesya Salnikova Gilmore is a fantasy storyline. This is set in 16 th century Russia, with the legendary Yaga (not the evil witch Baba Yaga), who is a half-goddess and half-mortal, and the main character throughout the story. We meet Yaga, as she lives in the forest, and helps heal others with spells and potions; she is immortal, having lived hundreds of years, and always remaining young and beautiful. Many years ago, she was friends with Anastasia, until she left Russia, due to how mortals perceived her as evil and cruel. Yaga is content to live in her solitude (only those in dire need of her help as a healer), with her wonderful faithful animal companions, Noch (her owl), Dyen (her wolf) and Little Hen (izbushka). The positives are definitely ample! For one, I liked Yaga as our protagonist. She’s a healer who is half immortal and has done her best to keep people around her safe, including her old friend Anastasia who is the Tsar’s wife, and who is being poisoned. Yaga, unfortunately, has to learn that not everyone has the same noble heart, and most of this book is her trying to survive not only against a spiraling Ivan the Terrible (who is doing unthinkable things in Russia; what a time to be reading this, given the guy in charge of Russia right now), but also other immortals and gods and demi gods. I liked how Gilmore subverted some of the mythologies to reflect lies and propaganda that the Orthodox Russian Church was spewing to undercut the non-Christian theologies of the time. I know that the fact Yaga has been de-aged from crone to young woman has frustrated some readers, which I definitely get, but I kind of like the idea of her reputation of being a cruel crone is actually a lie to make people distrust a woman who is actually a midwife, healer, and powerful woman in a community. A rich and vivid tapestry of old Russia in an age when Tsar Ivan the Terrible grappled not only with political foes but with the legendary witch Baba Yaga and her command of magic and pagan gods. An evocative journey into old Russian myth and history, and a poignant exploration of what it means to be both human and immortal.”–Margaret George, New York Times bestselling author of The Splendor Before the Dark As she travels to Moscow, Yaga witnesses a sixteenth century Russia on the brink of chaos. Tsar Ivan—soon to become Ivan the Terrible—grows more volatile and tyrannical by the day, and Yaga believes the tsaritsa is being poisoned by an unknown enemy. But what Yaga cannot know is that Ivan is being manipulated by powers far older and more fearsome than anyone can imagine. There is even a bit of romance to counterbalance some of the considerable blood-letting. After I had witnessed my first birthing not ten years into my life, Mokosh had explained to me the intricacies of lovemaking and child making. “Though immortals can birth other gods and half gods,” she had said, gently, “it is not simple for us, with mortals above all. Most of the time, it happens not. It is even harder for half gods. If it happens, it does so for a reason. It is willed by the Universe.” I had known many men over the centuries, both mortal and immortal. Not once had my trysts ended in anything other than fleeting pleasure or pointless regret. I knew it would never happen for me.But then she meets Vasily Alekseyevich Adashev, studly warrior, but mortal, which is a problem. It gets complicated. He is probably in his 20s or 30s, she is several hundred. (Baba Cougar?) It is a delightful element.

This is a fantastic question I’ve never heard before! A fire-breathing dragon, or zmey in Russian folklore, would be pretty unbeatable, for who could beat a creature breathing flames? But an alkonost from Slavic mythology would also be cool. The alkonost is a fierce creature with the head of a woman and the body of a bird. They can fly and are known for their beguiling siren-like singing. We would just put everyone in battle under our spell!

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It is important for readers to open themselves up to the possibility that not all is as it seems. And that truth may be more layered, more hidden, and more beautiful than we ever imagined.

A perfect blend of fantasy and historical fiction, The Witch and the Tsar magnificently paints an old Russia full of vengeful gods, court intrigue and high adventure. In the center of it all is the half-goddess Yaga, isolated and proud, whose compassion for humanity drives her into a war with Ivan the Terrible and the mythical beings who use him for their own ends. Immersive and beautifully written, Yaga’s story reminds us that gods—like humans—can choose their own fates.”

The Witch and the Tsar delivers high stakes, memorable characters, and a sixteenth-century Russia you can almost reach out and touch. Yaga’s tale is a story I never knew I needed.” Welcome to the Hive Olesya, and congratulations on the release of your debut novel! How does it feel to know your book is out there on shelves? In The Witch and the Tsar, Baba Yaga is transformed by the magic of Olesya Salnikova Gilmore’s prose from a shadowy figure into a breathing woman with a beating heart… A powerful and moving debut.” On a similar note to my last question , there is a strong feminist message in a woman having to disguise her wisdom in lies and ritual?