The Second Sight of Zachary Cloudesley: The spellbinding BBC Between the Covers book club pick

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At that moment, we know something is unusual. Newborns aren’t known for fixing anything or anybody with a penetrating gaze. Abel is so overcome with grief, that it falls to Alice’s maid, Kate, to locate a wet nurse who has a tiny daughter of her own. Mrs Morley and Leonora become major characters and remain in Zachary’s life for many years. Since his accident, Zachary is plagued by visions that reveal the hearts and minds of those around him. A gift at times and a curse at others, it is nonetheless these visions that will help him complete a journey that he was always destined to make - to travel across Europe to Constantinople and find out what happened to his father all those years ago. I think the characterisation was good as regards Zachary, Aunt Francis, Mrs Morley and Tom, but throughout it all, the idea of Zachary displaying powers of second sight seemed to be lost along the way. Yes, there were really good descriptions of Turkey, the landscape, political structures and warring factions along the way. However, underneath it all seemed to run a story of same sex love and commitment which, honestly, I wonder for its inclusion. It’s not a bad description. Alice’s Aunt Frances adored her niece and she lavishes the same attention on Zachary, wanting to whisk him away from his father. She is a colourful character with another storyline about her independence. She conspires to encourage Abel to return to Constantinople, leaving Zachary with her. Not every novel gets this right – some read so gorgeously that the story and any emotional impact is lost in it, while others prioritise storytelling with a utilitarian ferocity – but The Second Sight of Zachary Cloudsley is flawless in telling a beguilingly unusual but intrinsically human story that reads like a siren song of lusciously poetic construction.

Take a Look at Our Summary of November Highlights, Whether You're Looking for the Latest Releases or Gift Inspiration Perhaps,’ said Abel, reluctant to believe that Zachary suffered from such an outlandish affliction.

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And so the makers of automata found themselves urged to make ever more human androids, leading to Von Kempelen’s chess playing automaton, ‘The Turk,’ seemingly able to think through the complexities of a chess game and play the world’s grand masters. That this automaton turned out to be a fraud is perhaps less surprising than that for almost 80 years many of the world’s cleverest people believed in its remarkable abilities. Why did they do so? The answer, I think, is because they wanted to believe that an automaton was capable of rivalling, even exceeding human intelligence. Clegg said: "This is a rich, detailed and vibrant tale of a young man finding himself. It has everything you would want: wonderfully realised descriptions, unforgettable characters and a storyline that encompasses the essence of that human yearning for love and acceptance. And with a dash of magical realism, it is original, complex, funny and thoroughly immersive. I cannot wait for readers to fall in love with Zachary Cloudesley." Abel is devoted to Zachary but doesn’t understand him at all. His unusual young apprentice, Tom, tries to explain the boy in a language Abel will understand. She and Abel spend the next few days in an awkward dance, the one advancing a step and the other retreating. They are polite, without ever seeming to quite see one another as they did on that first day. Whatever it may be, it changes his world considerably, being the reason why he is able to escape terrible misfortune on more than occasion and leading him to the greatest discovery of his life – that men, not women, are the spark that lights the fuse of his nascent sexuality.

But then a near-fatal accident will take Zachary away from the workshop and his family. His father will have to make a journey to Constantinople that he will never return from. And, years later, only Zachary can find out what happened. Longlisted for the Walter Scott Prize for Historical Fiction 2023 and the Goldsboro Books Glass Bell Award 2023. I enjoyed Abel's portion of the book, and wished we stayed with him more, but found, despite being the titular character, I didn't much like Zachary, and, as other reviewers have mentioned, his "second sight" wasn't capitalised. The other characters were not entirely likeable either, and at 76%, I am still left unsure about Mrs Morely and Lady Peake-Barnes. I’d assumed that these automata were mere luxuries for the very rich but in researching my novel I discovered that they were about much more than adornment or entertainment. They were manifestations of technical prowess, projections of national power, celebrations of Enlightenment science and, most surprisingly, regarded by some as experiments in the search for eternal life. The mid-18th century was the zenith of Enlightenment thinking. Science was racing ahead in every direction, largely freed from the constraints placed upon it in previous centuries by the cold hand of church authority, political turmoil and widely held superstition. Discovery and innovation flourished in the fields of astronomy, anatomy, philosophy, botany, zoology, agriculture, commerce, navigation and literature. The pace of change must have seemed breathtakingly fast to those in the midst of it, though many were, of course, still eking out the barest of livings much as they had for generations - and in those lands newly colonised by European powers the brutality of slavery was often accompanied by grotesque genocidal acts on indigenous populations.Growing up amongst the cogs and springs of his father's workshop, Zachary is intensely curious, ferociously intelligent, unwittingly funny and always honest - perhaps too honest. But when a fateful accident leaves six-year-old Zachary nearly blinded, Abel is convinced that the safest place for his son is in the care of his eccentric Aunt Frances and her menagerie of weird and wonderful animals. Abel takes him and holds him, looking into his fierce dark blue eyes, their gaze fixed and penetrating, as unnerving as some creature wrenched from another universe entire. . . “ The prose is very well written, and it is genuinely funny, but the plot wasn't strong enough to hold attention. The father-son relationship is one of the book's strongest features, and I very much felt for Abel's plight. Abel is away in the workshop much of the day, nd Frances begins to think it might not be so difficult to persuade him that it will be best for Zachary to come home with her to Tring. If needs be Mrs Morley and her noisy daughter with her spotty face and bilious inclination can come too.” (P. 49) Zachary is a gifted, brilliant little boy, the kind of child who will read anything he can find and probably remember most of it. The publicity for the story reveals that Zachary later loses the sight in one eye and develops a kind of clairvoyance, although he never seems quite certain what is true or not.

It is unusual yet totally captivating with an interesting plot and good pacing. All the characters were intriguing and although the main focus is on Zachary Cloudesley and his father Abel the side characters also had such intetesting and different tales to tell and yet their lives were inextricably linked. It’s a rare book indeed that doesn’t transport you far away from the everyday, taking you on a richly imaginative journey, whether it’s into someone’s life, their innermost thoughts or to magical places that defy the intervention of the ordinary. It’s great appeal lies in the fact that while there are elements of the fantastical – the title speaks to the eponymous young protagonist’s ability to divine the soul and future life course of a person simply by touching them – and the expansively imaginative, it is also content to spend much time as needed with its characters, allowing them to tell their story without hurry or interruption and with full emotional effect.Bob Mortimer wins 2023 Bollinger Everyman Wodehouse Prize for Comic Fiction with The Satsuma Complex I was drawn to The Second Sight of Zachary Cloudesley by the setting – 18th century Constantinople – but I wasn’t sure that it would really be my sort of book. From the blurb, I was expecting a strong magical realism element, something I don’t always get on with. However, I was pleased to find that this aspect of the novel was actually much more subtle than I’d expected. This gathering together of disparate souls, which also includes Abel’s aunt-in-law, Frances, who’s a rich, feisty independently minded woman who delights in challenging convention, is what gives The Second Sight of Zachary Cloudsley its sizably moving beating heart.

The Second Sight of Zachary Cloudsley, a lushly involving, resonant historical mystery with modern relevance and sensibility, sings the joys of loving so completely, regardless of how threatening or challenging life may be, that every moment feels epic even in its mundanity, every connection vibrantly necessary and every threat to those bonds a time to see how far you will go to save and uphold them. Zachary] is also the bearer of an extraordinary gift; at the touch of a hand, Zachary can see into the hearts and minds of the people he meets." This plays actually less of a role than you'd think given it is mentioned in the short description. The actual time in the book this would have been useful to him its not working and that's sort of briefly hummed over and then not again.Since his accident, Zachary is plagued by visions that reveal the hearts and minds of those around him. A gift at times and a curse at others, it is nonetheless these visions that will help him complete a journey that he was always destined to make—to travel across Europe to Constantinople and find out what happened to his father all those years ago. Editor Eloisa Clegg acquired UK and Commonwealth rights from David Headley at DHH. Publication is slated for summer 2022.