Spanking Classics - Volume Two

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It is interesting later when Lise is contemplating her future as a Mother herself that she simulates her thoughts by pretending to spank an imaginary child. That may explain why the spanking was added to this ballet, that going from being the spanked to the spankee signifies the transition from being a girl to womanhood that this ballet portrays. Just some of my thoughts. The stall holder sees you looking in the baited section, and turns. By now, you will be engrossed. “I have a lot more of….” And let's face it, what could more delightful than seeing some snooty, spoilt & refined prima ballerina get up-ended & spanked there in public for all to see!!??,

I had a look @ pictures of Nadia Nerida. She is very pretty & would have made a wonderful spankee. I remember watching a documentary series on English male ballet dancers. As they drove up to the school @ which he learned his trade, he pointed out "Spanker's Wood". He went on to explain, "And it's called that for good reason!" There must be some fun tales re the spanked tales of some of England's finest young ballerinas there to be found! I bought a French version in which the spanking was omitted. Useful! Later I bought a copy complete with the Tonkin spanking from the "ABC Shop", where ABC = "Australian Broadcasting Commission". I still have it & may still be available. Perhaps in "Cinema Swats 6", Dan could string together a short series of LFMG & KMK spankings including professional & college productions?! Here is one of the best '60s underground fetish shorts (most are terrible). This stands out due to the fierce Latina dominatrix who resembles Tura Satana ("Faster, Pussycat, Kill Kill!") both in look and over-the-top intensity. She goes berserk after her mousey schoolgirl slave brings home a note from her teacher. Note the bizarre "bondage board". A unique bit of carpentry. The domme wails away on the girl like a maniac. She only has one speed: flat out. And this is just the first half. See part two for the rest. Search for: "1960s S&M Fetish Stag Film, Dominatrix & Schoolgirl (part 2)" Come to think of it, the domme looks more like Jennifer Tilly in "Dancing at the Blue Iguana" (she plays a nutjob BDSM stripper/dominatrix). A film everyone should see at least once. Dean, I think you have got right to the heart of the matter here! We didn’t like the experience of being punished at the time it happened, but as is the nature of childhood, it was soon forgotten along with the other bumps, grazes and other unpleasant experiences that were a part of everyday life.

brilliantlove (2010)

The comics also reflect stereotypical images. Teachers are often depicted in old style gowns and mortarboards and routinely carrying canes, even in periods when that would have been unusual (at least in most schools). It was the archetype. And it’s an archetype that has now been lost. And one of those issues from 1955 had 11 comic strips-in NINE someone got spanked or caned-see what I mean re fladge-mad? God, there was even one, Cat & Dog, featuring those 2 animals. Cat misbehaves & gets spanked by the expedient of Master holding a bone in front of Dog, whose wildly-wagging tail has a carpet-slipper tied to it!!!!!!!! The second strip is Teacher’s Pet. Patsy is a girl who wants to be really nice to Miss, her teacher. Too nice. She’s annoying. She overdoes things. They cause problems. Sometimes entirely her fault. Sometimes, not. Sometimes she pushes Miss too far. She tells me of her childhood, her school days, and what she does now. We talk of spanking and her love of spanking pictures. Then she is confident enough to tell me her needs. As often happens she wants a slow, understanding, patient build up to going over my knee. She is very keen to try implements, she hopes I like her bottom etc etc, and says she trusts me already….how nice!

Anyway, I built up quite a collection of images and strips to use (I wasn’t going to use all of them, I wanted to have a good range to choose from), and so now that I can’t use them in the book, I thought I’d share them here. Sophie, the waitress, smiles and offers Rowena a cushion. “Thank you.” I say…” But no cushion is needed today.” As his area of interest has included the socio-cultural imperatives of Toni Negri’s work and autonomia you might be surprised at him bringing me these articles. But we were together at university……….

Apparently in the 50’s 60’s , 70′ etc Thompsons required that characters like Dennis and Beryl always ‘ got their just desserts’. Crime was not to be allowed to pay ! More interesting was the marketing of the magazines . Strangely it was not aimed at the ‘rough , tough boys ‘ of Bash street , but seen as a moral stabilizer actually intended to deter kids from what in Texas they call ‘ making bad choices’.The target readership, thus were those children for whom this escapism represented the safety valve, ‘what they WOULD so if only they DARE do ‘ Hence the reason for the required moral ending and just desserts for the culprits! To say the least, Sir John's detailed account of the spanking scene reveals a very, very good memory indeed, in more ways than one. We enter the cafe, “ooops, I forgot to mention to the waitresses that I would not need my red spanking cushion today.”