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The portal takes them to the aliens' spaceport, where they discover a meeting of aliens and human collaborators celebrating the elimination of the "terrorists". They are approached by a former drifter they briefly met in the shantytown, now a collaborator, who gives them a tour of the facility. He leads them to the basement of Cable54, the source of the signal, which is protected by armed guards. Nada and Frank find Holly and fight their way to the transmitter on top of the roof, but Holly kills Frank, revealing that Holly too is a human collaborator. Nada kills Holly and destroys the transmitter, and is fatally wounded by aliens in a helicopter. Nada gives the aliens the middle finger as he dies.
They Live (1988)". Rotten Tomatoes. Fandango Media. Archived from the original on November 15, 2022 . Retrieved October 17, 2023. Having acquired the film rights to the Nelson-penned short story prior to the production of They Live, Carpenter used the story as the basis for the screenplay's structure, which he wrote under the pseudonym "Frank Armitage". Carpenter has stated that the themes of They Live stemmed from his dissatisfaction with the economic policies of then-U.S. President Ronald Reagan, as well as what Carpenter saw as increasing commercialization in both popular culture and politics. [2] In 2017, in response to neo-Nazi interpretations of the film's themes, Carpenter further clarified that the film "is about yuppies and unrestrained capitalism" and "has nothing to do with Jewish control of the world". [d] Production [ edit ] Development [ edit ] They Live was released on VHS by MCA Home Video in 1989. [34] [35] It was later released on DVD by Universal Home Entertainment on October 17, 2000. [36] Biennale Cinema 2018, Venice Classics". labiennale.org. July 13, 2018. Archived from the original on July 23, 2018 . Retrieved July 22, 2018.
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uses the invisible alien elite as a proxy for our suspicions about how we are all being exploited by the elite of our real-life society, and how these elite are subtly programming us to accept this exploitation.
Piper does get his new construction job, but in the process he stumbles upon an underground group of rebels, who manufacture special sunglasses that allow “normal humans” to see society for what it truly is: A series of advertisements promoting conservative brainless values, based on thoughtless reproduction and heartless greed and consumption. Piper accidentally becomes a lead figure in the rebel movement attempting to expose the disgusting elitists taking advantage of the poor and destitute. Maslin, Janet (November 4, 1988). "A Pair of Sunglasses Reveals a World of Evil". The New York Times. Archived from the original on December 1, 2010 . Retrieved May 12, 2009. Rosenbaum, Jonathan. "They Live". Chicago Reader. Archived from the original on July 28, 2011 . Retrieved May 12, 2009. Acevedo, Yoselin (January 4, 2017). "John Carpenter Wants Internet Nazis to Stop Misinterpreting 'They Live' ". IndieWire . Retrieved November 15, 2022. This movie is not so much about aliens who are hiding among us, but instead it taps into the deeply submerged suspicion held by most of us that we are being manipulated and taken advantage of by the elite of American society, by our leaders, by the rich, etc. Also, we sometimes feel that we are manipulated and programmed (in a subtle way) to respect hierarchical authority ( e.g., the "OBEY" subliminal command from the movie).
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Carr, Jay (November 4, 1988). "What if we're cattle for aliens?". The Boston Globe. Boston Globe Media Partners. Archived from the original on February 10, 2015 . Retrieved July 3, 2018.
Frannich, Darren (July 31, 2015). "Remembering Roddy Piper's rowdy film career". Entertainment Weekly. Time. Archived from the original on June 3, 2016 . Retrieved June 1, 2016. Kachka, Boris (October 28, 2010). "Jonathan Lethem on John Carpenter's They Live and His Own Move to California". Vulture. New York Media. Archived from the original on October 29, 2013 . Retrieved July 29, 2012. On January 19, 2021, Shout! Factory released the "Collector's Edition" of the film on 4K Ultra HD Blu-ray. [40] [41] Awards and honors [ edit ] Award a b "They Live". Box Office Mojo. IMDb. Archived from the original on April 4, 2016 . Retrieved April 28, 2016.x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
Carpenter has said that the film's political commentary derives from his dissatisfaction with then–U.S. President Ronald Reagan's economic policies—also known as Reaganomics—and what Carpenter viewed as increasing commercialization in both the popular culture and politics of the era. [2] O'Neal, Sean (April 11, 2011). " 'They Live' Remake is No Longer Technically a Remake". The A.V. Club. The Onion. Archived from the original on July 2, 2018 . Retrieved July 3, 2018. Walker, John (August 27, 2021). "The New Saints Row Rings The Death Knell For Silly Games". Kotaku . Retrieved December 27, 2021. A game in which they hired Roddy Piper and Keith David to recreate their famous fight scene from They Live. So, the major theme of the movie is not, as another poster correctly pointed out, about being manipulated to be good little consumers in a crassly commercial world. No, it is far more profound than that. Instead, it is more about how the working class Americans in _They Live_ are being exploited by the elite upper crust, who, in the movie, happen to be aliens, but who, in the real world, are a subsociety that use their collective power to exploit the rest of us. Rotten Tomatoes ranked the fight scene between Roddy Piper's character, Nada, and Keith David's character, Frank Armitage, seventh on their list of "The 20 Greatest Fight Scenes Ever". [25] The fight scene influenced The Wrestler, whose director, Darren Aronofsky, interpreted the scene as a spoof. [26] The fight scene was parodied by the TV show South Park in the episode " Cripple Fight." Shepard Fairey credits the film as a major source of inspiration, sharing a similar logo to his " Andre the Giant Has a Posse" campaign. " They Live was…the basis for my use of the word 'obey'," Fairey said. "The movie has a very strong message about the power of commercialism and the way that people are manipulated by advertising." [27]A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper. x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad. BRITISH Posters
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