Covers

Product Information

Despite being written and recorded in only four months, the album is packed with classics like " Be Quiet and Drive (Far Away)" and " My Own Summer (Shove It)". The result was an instant classic, praised by critics and fans alike for its ambition and uniqueness. For items that are dispatched using our standard service, we ask that you wait 14 days from the date of dispatch before reporting any items as undelivered. We use cookies to give you the best possible experience on our site, provide personalised content and advertising, analyse our traffic, and ensure you see more of what you love. Showing resiliency, Deftones continue to make music that is both heavy and beautiful, and their legacy is secure as one of the most influential bands in rock history.

The color contrast of this piece is incredible, the text has the regal glow of a fine Mercedes Benz dashboard, and the detail — from the "town" knuckle tats and the shimmer of her jewelry, to the hyper-realism of her pose — is simply superb. You can tell exactly what the music is going to sound like just by looking at that image, and once you actually hear frenzied bangers like "Push It" and "I'm With Stupid," there's no better visual representation than a man being zapped in the electric chair. Working at Warner Bros Records and already a fan of the band at the time, Maddocks had an opportunity to work with Deftones on their third album, White Pony, which was recorded in part in LA, where Maddocks lives. Keep in mind that anyone can view public collections - they may also appear in recommendations and other places.Primarily working in album cover and packaging art, Maddocks has worked with artists such as Linkin Park, Deftones, Green Day, Gary Clark Jr.

Hughes says she feels "really lucky" to be included on the album cover, and tells the story of how the whole thing came out. Across the LP's 12 cuts, frontman Jonathan Davis unloads the pent-up demons he'd been carrying since his traumatic childhood, and the artwork — which pictures a young girl on the brink of losing her innocence to a foreboding beast of a man — perfectly complements the album's harrowing tellings of abuse and emotional torment. Deftones record cover songs after each album recording session, and the songs on Covers span their entire career.

Upon his arrival, Kosick spent some time shooting the band in the studio and eventually brought his camera to one of their late-night soirees.

They were no longer the angry young upstarts and Saturday Night Wrist felt like a retreated, more withdrawn record as a result. Personalised advertising may be considered a “sale” or “sharing” of information under California and other state privacy laws, and you may have a right to opt out. The result is an emotionally charged record that deals with loss and grief in a very raw and honest way. High quality pressing, dead silent noise floor and the mix is steady across most tracks - not a piece of cake considering that it's a compilation - maybe a bit flat sounding overall but I chalk that up to standard compilation mastering/mixing difficulties from different sources.The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products. There are moments of haunting beauty (" Rosemary"), searing intensity (" Tempest"), and pure groove (" Leathers") – all tied together in a distinctively emotive voice. Certain items can take longer to source than the estimated week, particularly during busy trading periods and may take longer to arrive at our warehouse. She was offended because I was in her personal space," says the lensman, whose photo book Fuck You, Fat-Ass, I'm Not Down With Your Scene, is being published by UX later this year .

The way they're standing is menacing and viscerally confrontational — but the position of Chris Fehn's dicknose mask in Corey Taylor's crotch shows they have a mischievous sense of humor, as well. And though Stef Carpenter's involvement in the album's creation may have been contentious, there's no denying that his contributions have helped to create an album that is truly unique and unforgettable. The photo itself was shot by Rick Kosick, the skate photographer who went on to become part of the Jackass crew through his work at Big Brother Skateboard Magazine.Co-created with visual artist Frank Maddocks (known for designing many Deftones covers, including White Pony), the band wanted to convey a convergence of militarism (the soldier) and emotionality (the dragonfly wings), and the intentional layering of the image — it looks like the handiwork of numerous graffiti artists — channels the many dualities of the music itself, which pushed and pulled between heavy, catchy, angry and heartfelt. Every Deftones album cover is visually compelling, but the strange allure of 1997's Around the Fur makes it arguably their most striking. His collaboration with the experimental alternative metal band Deftones spans over twenty years and represents some of his most creative and exciting output. The majority of the image is a panorama shot of an arctic desert, but the onlooker's eye is caught in a tug-of-war between the faded periodic table of elements and the glowing noggin of a mustachioed gentleman giving a cheeky smirk.