Hitler's Horses: The Incredible True Story of the Detective who Infiltrated the Nazi Underworld

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a b c d Rich, Wilson p. 653 (table 59). Note that decline in horse population due to motorization and the Great Depression continued through the 1930s. Decorator of Hitler’s desk … a 1965 ceiling painting by Nazi-commissioned artist Hermann Kaspar. Photograph: DHM, Fotograf Eric Tschrnow, 2020 The 1944 Cavalry Corps, in turn, had up to 103 tanks and tank destroyers in addition to three Cavalry Divisions [95] that once again were made lean and light and dependent on horse alone (4,700 [d] men with 76mm field guns and no armor). [95] By the end of the war with Germany, Soviet cavalry returned to its pre-war nominal strength of seven cavalry corps, or one cavalry corps per each tank army. This made the cavalry the only military unit in the Red army to achieve 100% Guards status among all of its units. The CMGs of the period (one Tank Corps and one Cavalry Corps) were regularly weapons of choice in operations where terrain prohibited the use of fully deployed Tank Armies. [96]

Hitler’s Bronze Horses Will No Longer Belong to a Private Hitler’s Bronze Horses Will No Longer Belong to a Private

From 1937 until 1944, Breker was among hundreds of German artists whose work was shown in the Große Deutsche Kunstausstellung in Munich, an exhibition designed to showcase what National Socialists thought of as the right kind of art. Much of it eulogised German sacrifice in the first world war or neo-classical heroic sculptures such as Breker’s Prometheus. The horse sculptures being removed from a storehouse in Bad Duerkheim, Germany, 21 May 2015. Fredrik von Erichsen/picture alliance via Getty Images Charles W. Sydnor (1997). Soldiers of destruction: the SS Death's Head Division, 1933–1945. Princeton University Press. ISBN 0-691-00853-1, ISBN 978-0-691-00853-0. From 1937 onward, Thorak became one of the preferred sculptors of the Nazis, commissioned to create countless propaganda sculptures emphasizing the supposed strength and glory of theregime. He says of a reporter working with him on the case, “As one of Germany’s top journalists, he excelled in ramping up the tension,” but at times his own attempts to follow suit are clumsy, and his end-of-chapter cliffhangers artificial. The story is good enough without this, and is not without its moments of comedy, too.Neo-Nazis were so thrilled at the sudden reappear­ance of the führer’s favourite sculptures that they completely forgot to threaten me.”

Hitlers Horses from the New Reich Chancellery recovered by Hitlers Horses from the New Reich Chancellery recovered by

By 1945 the only French mounted troops retaining an operational role were several squadrons of Moroccan and Algerian spahis serving in North Africa and in France itself.

With the help of middlemen, he acquired the sculptures from the Soviet military authorities, German media reported at the time of the seizure. They were smuggled out of East Germany in pieces, disguised as scrap metal, months before the fall of the Berlin Wall. David Glantz (1991). Soviet military operational art: in pursuit of deep battle. Taylor & Francis. ISBN 0-7146-4077-8, ISBN 978-0-7146-4077-8 Williamson Murray, Allan R. Millett (1998). Military innovation in the interwar period. Cambridge University Press. ISBN 0-521-63760-0, ISBN 978-0-521-63760-2 German military regulation H.Dv. 465/2 – Fahrvorschrift (Fahrv.) Heft 2 Ausbildung des Zugpferdes – 1943, ISBN 978-3732290956