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This was by far the biggest soundstage. Adding stage to stage, here we are maximizing the sonic attributes and arriving in a broad world of itemizations. Slightly faster becomes the bass than the Sony WM1Z, and slightly rolled-off is the treble. But all and all this style of maximum midrange was great. Often it is said, you can’t have to many mids, and this was that phenomena in a nut-shell.
Kiwi Ears Orchestra Lite Review - Headfonia Reviews Kiwi Ears Orchestra Lite Review - Headfonia Reviews
Azla SednaEarfit Light - The stage opened out while the imaging and resolution felt about the same after listening to Orchestra through these eartips. There was a trace of airiness and extension in the treble, along with a small amount of sibilance. While remaining in the same location, the mid-range appeared slightly less forward. Instead of a punchier approach, the bass had a more poofy impact. Yet, using these eartips was a truly beautiful experience when listening to classical music or blues. The timbre of both sound signatures has a natural character, with the Cadenza being slightly warmer. Since this unit tour was organised by the kindly people at Linsoul, I am grateful to them. And as I've said in all of my evaluations, the same is true for this one: all of the concepts I've expressed below are entirely my own, original ideas that haven't been influenced by anyone else. If interested, go to this Link.
Our Verdict
The more I listened, the more I liked this set of IEMs. The box is a tight fit for the cable and IEMs. Where to Buy The Kiwi Ears Orchestra Lite is characterized by a fairly balanced and smooth sound signature. While it may not be the most dynamic in-ear monitor on the market, it is not a dull sounding one either. The Orchestra Lite impresses with its natural timbre and well-rounded tonality. The sub-bass region is slightly emphasized, but not to the extent of the Canon, or the Blessing 3. However, it is marginally bassier compared to the OG Orchestra. The soundstage is of moderate size, and the vocals are forward, delivering a smooth and musical tone. If someone wrote the all-BA burn routine as an excuse for poor performance - it is just regrettable and a poor business practice. Why TRN (or any other similar companies) do not ship petfectly burned IEMs to consumers, instead of printing "rituals" and then resorting to deep discounts of more than 3 times for X7 and nearly so for BA15?
Kiwi Ears Orchestra Lite Universal 8BA IEM - Reviews Kiwi Ears Orchestra Lite Universal 8BA IEM - Reviews
MEASUREMENTS:My measurements of the Kiwi Ears Orchestra Lite can be found on my expanding squig.link database:
Comfort & Isolation
While the comfort level of the Orchestra Lite is generally good, the bulky size may not be suitable for people with extra-small ears, which is a minor downside that does not impact the overall performance. In the midrange, both IEMs perform well, but the Blessing 3’s midrange tends to be on the neutral side, especially in the lower midrange. This results in a thinner reproduction of certain instruments and is especially noticeable with brass instruments and certain male vocals. Because of this tuning characteristic, the Blessing 3 feels more spacious and airy. Combined with its faster PRaT, especially low-wise, results in a more dynamic, agile and energetic presentation compared to the Orchestra Lite.
Quick Look: Kiwi Ears Orchestra Lite In-Ear Monitors
The Orchestra may have recessed lows but it greatly complements the overall sound profile of the IEM. Midrange At the bottom of the box sits a plush, dark blue leather effect case containing the premium copper cable. This is honestly the nicest case I’ve come across for a pair of IEMs. It’s a little on the small side considering the relatively bulky cable, and the magnetic clasp could be stronger, but overall this is a quality case, worthy of a pair of refined IEMs at this price point. In conclusion, the Kiwi Ears Orchestra Lite offers a well-balanced and neutral sound signature that is perfect for musicians and audio engineers who require a flat response without any colouration. Rolled-off and not at all noticeable, but at the same time not noticeable for leaving anything out either! Here we are not “wowed” by the tactile snow-flake sparkles positioning and re-positioning themselves. They (the trebles) are simply there and of the utmost utilitarian-workable amount, yet not showing. Not showing or even positioning themselves for examination. Is that bad? It really it goes to reinforce the fact that the midrange (when done right) can almost do it all. If there is enough support with-in the bass balance and treble inclusions……then the midrange starts to flourish and give soul. That my friends is what these are all about. They are not for treble heads, but present for you the best midrange for the money, if that meant that the treble is allocated to second position, well then so be it. When we speak of a balance and a creativity in tune…the trebles are factored in there somewhere, it is just not in the limelight.It should be noted that I have absolutely no affiliation with Kiwi Ears or Linsoul, I am not receiving any incentive for this review or to sweeten things out. I’d like to thank Linsoul for providing the sample for this review. Every opinion expressed is mine and I stand by it. The purpose of this review is to help those interested in KIWI Ears Orchestra Lite find their next music companion. Kiwi Ears utilizes distortion in the 8BA multi-configuration to create a nice midrange that makes music magical. You can even sense that the low frequencies are intentionally suppressed so that you can enjoy these midrange frequencies. It is an outstanding tuning. It is a bit expensive, but it seems well worth the price. balanced tuning. Couldn't find a single genre which does not sound good with this IEM. It reminds me of the TinnHIFI P1 Max Panda (Planar), very similar tuning.
Kiwi Ears Orchestra Review — Headfonics Kiwi Ears Orchestra Review — Headfonics
You will surely be spoiled for choices if you get such quality drivers and sublime tuning at rediculously cheap prices. The Simgot EM6L is True to the brand marketing literature, the Kiwi Ears Orchestra Lite has an absolutely balanced tuning with a neutral frequency response that when combined with its excellent transparency result in mirror-like source fidelity. Comfortwise, these earphones are spectacular once you put them on. They disappear after being inserted due to their small size and how lightweight they are. Additionally, with various types of tips (both included and others I used), they always provided an exceptional seal to the ear, I had to take one out of my ear to understand what someone next to me was trying to say. Comfort and isolation, overall, are almost a 10. The small detail I would mention is that they protrude slightly due to their shape, but it's not something that bothers me except for specific use cases like using them while lying down.
Stock Cable
Detail retrieval is another area where the tuners of this iem have done commendable job. Full marks to them. The Kiwi Ears Orchestra Lite is a meticulously crafted product made of skin-friendly resin. Available in two faceplate colors, green and blue, the design looks elegant with its cloudy swirl pattern and translucent faceplates and shells. I’ve always liked the swirl pattern and think it’s quite eye-catching. Since these are hand-made faceplates, the pattern varies from unit to unit so each pair is unique. The Orchestra Lite has a safe and relaxed treble response that conceals very good internal detail retrieval. The upper treble is less extended than I would like, and there is limited air. The Orchestra Lite does respond well to equalization in this region, but other IEMs in the same price range like the SeeAudio Bravery are going to have more up-front resolution. The soundstage is adequate but is less expansive than I would have expected given the number of BAs used per housing. The treble on the Mangird Top is extended and airy, but it's not too bright or harsh to my ears. This makes the IEM sound very open and spacious. The treble is also very detailed and can hear all the high-frequency details in your music. The Kiwi Ears Orchestra features 8 balanced armature drivers, 2 for high, 2 for low, and 4 for mids, with a passive crossover system. This is where Kiwi Ears has made an interesting design decision, apparently favoring the subtle detail associated with this kind of driver, versus the punch and impact of a dynamic driver design. The company is clearly aiming these at the reference sound market. No pandering here to the current fashion for powerful bass. Kiwi Ears Orchestra Sound
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