Aladdin Sane [VINYL]

Product Information

a b c Wolk, Douglas (1 October 2015). "David Bowie: Five Years 1969–1973". Pitchfork. Archived from the original on 6 February 2016 . Retrieved 21 November 2015. Cann, Kevin (2010). Any Day Now – David Bowie: The London Years: 1947–1974. Croydon, Surrey: Adelita. ISBN 978-0-95520-177-6. Thompson, Dave (2019). Kennedy, Paul (ed.). Goldmine Record Album Price Guide (10thed.). US: Krause Publications. p.86. ISBN 978-1-44024-891-7.

April sees the release of two limited edition Bowie vinyl albums, Aladdin Sane and CHANGESTWOBOWIE. Dee, Johnny (7 January 2012). "David Bowie: Infomania". The Guardian. Archived from the original on 8 January 2014 . Retrieved 14 June 2013. a b Edwards, Henry (12 August 1973). "Pop; Who (or What) Is David Bowie?". The New York Times . Retrieved 27 November 2022. Kot, Greg (10 June 1990). "Bowie's Many Faces Are Profiled On Compact Disc". Chicago Tribune. Archived from the original on 16 April 2016 . Retrieved 11 November 2020.The cover artwork has become one of the most famous sleeves of all time and was rumoured to be the most expensive produced up to that point. The cover photograph was taken by Brian Duffy, who would also shoot the sleeves for 1979’s LODGER and 1980’s SCARY MONSTERS (AND SUPER CREEPS) and features Bowie with the iconic red and blue lightning bolt make-up, an image which has now entered the planet’s cultural lexicon. Loder, Kurt (23 April 1987). "Stardust Memories". Rolling Stone. No.498. pp.74–77, 80, 82, 168, 171. a b Sheffield, Rob (13 April 2016). "How America Inspired David Bowie to Kill Ziggy Stardust With 'Aladdin Sane' ". Rolling Stone. Archived from the original on 14 May 2020 . Retrieved 14 May 2020. Album Chart History: 1973". The Official UK Charts Company. Archived from the original on 17 December 2007 . Retrieved 17 December 2007. a b "David Bowie – Billboard". Billboard. Archived from the original on 10 December 2021 . Retrieved 20 May 2020.

American album certifications – David Bowie – Aladdin Sane". Recording Industry Association of America . Retrieved 31 January 2014. a b "InfoDisc: Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste" (in French). infodisc.fr. Archived from the original (PHP) on 7 November 2011 . Retrieved 31 January 2014. Note: user must select 'David BOWIE' from drop-down. Panic in Detroit" was inspired by Iggy Pop's stories of the Detroit riots in 1967 and the rise of the White Panther Party, specifically their leader John Sinclair. [38] [16] Bowie compared the ideas of Sinclair to the rebel martyr Che Guevara for the narrator in "Panic in Detroit". [39] The lyrics are dark, featuring images of urban decay, violence, drugs, emotional isolation and suicide, [38] adding to the album's overarching theme of alienation. [27] Doggett finds a thematic link between the song and Bob Dylan's " All Along the Watchtower" (1967), which "used a similar three-chord riff to underpin its apocalypse". [39] Musically, the song itself is built around a Bo Diddley beat; [6] Pegg considers Ronson's guitar part very "bluesy". [38] Les Albums (CD) de 1973 par InfoDisc" (in French). infodisc.fr. Archived from the original (PHP) on 27 October 2012 . Retrieved 31 January 2013. Larkin, Colin (2011). "Bowie, David". The Encyclopedia of Popular Music (5th conciseed.). London: Omnibus Press. p.2,795. ISBN 978-0-85712-595-8.

Ziggy Stardust and the Spiders from Mars". phfilms.com. Pennebaker Hegedus Films. Archived from the original on 4 October 2017 . Retrieved 3 October 2017. David Bowie launched to stardom in early July 1972 through the release of his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars and his performance of " Starman" on BBC's Top of the Pops. [2] [3] He promoted the record through the Ziggy Stardust Tour in the United Kingdom and the United States, writing new songs on the road that would appear on his next album. [4] [5] a b "David Bowie – Billboard". Billboard. Archived from the original on 17 November 2021 . Retrieved 20 May 2020.

Duffy later photographed the sleeves for Lodger (1979) and Scary Monsters (and Super Creeps) (1980). Top Albums/CDs". RPM. Vol.19, no.20. 30 June 1973. Archived from the original (PHP) on 24 February 2014 . Retrieved 31 January 2014.Perone, James E. (2007). The Words and Music of David Bowie. Westport, Connecticut: Greenwood Publishing Group. ISBN 978-0-27599-245-3.

Allen, David (6 February 2016). "David Bowie's 'Lady Grinning Soul' Claudia Lennear of Pomona remembers her friend". Inland Valley Daily Bulletin . Retrieved 18 June 2022. Greatest Albums of All Time". Rolling Stone. 31 May 2012. Archived from the original on 30 August 2019 . Retrieved 10 September 2019. This new pressing of ALADDIN SANE was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios. Roberts, David, ed. (1996). The Guinness Book of British Hit Albums (7thed.). Guinness Publishing Ltd. p.16. ISBN 978-0-85112-619-7. While Pegg doubts the existence of "Zion", as it is not registered with any of Bowie's music publishers, [24] Cann writes that Rykodisc considered it for inclusion on the 1990 reissue of Aladdin Sane but Bowie rejected it. [17]Stark, Tanja (2015). " 'Crashing out with Sylvian': David Bowie, Carl Jung, and the Unconscious". In Devereux, Eoin; Dillane, Aileen; Power, Martin (eds.). David Bowie: Critical Perspectives. Routledge. pp.82–110. ISBN 978-1-317-75449-7. Viglione, Joe. " Ziggy Stardust: The Motion Picture – David Bowie". AllMusic. Archived from the original on 24 April 2019 . Retrieved 10 March 2020. On14th April, 2023,one week before its Golden JubileeALADDINSANEwill be issued as alimited edition 50th anniversary picture disc LP pressed from the samemaster. Saul, Heather (25 March 2017). "David Bowie on the iconic lightning bolt from his Aladdin Sane cover". The Independent. Archived from the original on 20 August 2017 . Retrieved 23 August 2017.